Professor Neil Lazarus FBA

Postcolonial literary studies; modernisation, modernity, modernism; critical social theory, sociology of literature; the questions of 'world literature' and comparative literary studies; more broadly, modern literature (1850 to the present)
Fellow type
UK Fellow
Year elected
2014
Subjects
Literature

Summary

Professor of English and Comparative Literary Studies at the University of Warwick. I taught previously at Brown University in the United States. My most recent publication is Combined and Uneven Development: Towards a New Theory of World-Literature, a book collaboratively written by the Warwick Research Collective (Liverpool UP, 2015). Previous publications include The Postcolonial Unconscious (Cambridge UP, 2011), Nationalism and Cultural Practice in the Postcolonial World (CUP, 1999) and Resistance in Postcolonial African Fiction (Yale UP, 1990). Edited volumes include The Cambridge Companion to Postcolonial Studies (2004) and (with Crystal Bartolovich) Marxism, Modernity and Postcolonial Studies (CUP, 2002). I work in the fields of postcolonial and world literary studies, with particular interests in Marxism, globalisation and imperialism, critical theory, modernity and modernism, realism, and the novel.

Current post

Professor of English and Comparative Literary Studies, University of Warwick

Past appointments

University of Warwick Professor of English and Comparative Literary Studies

1970 -

Other Fellows of the British Academy

Professor Robert S C Gordon FBA

The cultural history, cinema, and literature of modern Italy; Holocaust literature (Primo Levi); postwar memory and culture of the Holocaust

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Professor Andreas Xavier Schönle FBA

Eighteenth and nineteenth-century Russian literature and culture; the design, organization, and meanings of time and space in Russia; the Europeanization of the Russian elite and its transnational practices

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Professor Carolin Duttlinger FBA

Carolin Duttlinger's interests are in German literature and thought from the eighteenth century to the present; interdisciplinary modernism; the history of psychology; photography and visual culture; memory and trauma; Weimar journalism; and collective narration.

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