Skip Content

Under the microscope: New discoveries in British Renaissance art

Tarnya Cooper, Chief Curator at the National Portrait Gallery, and Charlotte Bolland, Project Curator for ‘Making Art in Tudor Britain’, write about the new British Academy publication, ‘Painting in Britain 1500-1630: Production, Influences and Patronage’, edited by T. Cooper, A. Burnstock, M. Howard & E. Town.

• Tarnya Cooper & Charlotte Bolland

The whole article can be downloaded as a PDF file.

Published in British Academy Review, Issue 26 (Summer 2015).

By continuing to use the site, you agree to the use of cookies. more information

The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.