The medieval stained glass of York Minster constitutes the largest single collection in England. The wide range of iconographical content and artistic excellence gives it outstanding importance in the study of the medieval world. The next stage in Tom French’s majestic treatment of York Minster’s glass, covering the vast and brilliantly coloured St William Window, was published at the beginning of 2000. One panel of this window is recorded in this entry and illustration from the new catalogue.
• Thomas French
The whole article can be downloaded as a PDF file.