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Music in Venetian art: seduction and spirituality

A new British Academy publication studies ‘The Music Room in Early Modern France and Italy’. In this edited version of one of the essays, Professor Patricia Fortini Brown discusses how the ambiguous nature of music in Venice was reflected in its art.

• Patricia Fortini Brown

The whole article can be downloaded as a PDF file.

Published in British Academy Review, Issue 20 (Summer 2012).

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