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Professor László Somfai FBA

László Somfai profile picture

About this Fellow

László Somfai (b. 1934, Hungary), retired Head of the Bartok Archives of the Institute for Musicology of the Hungarian Academy of Sciences (1972-2004); parallel to the research job since 1969 professor of musicology at the Ferenc Liszt Academy of Music (State University) in Budapest, director of the Ph.D. Program (1997-2007), currently professor emeritus. He studied musicology in Budapest in the F. Liszt Academy of Music, graduated in 1959; received the Doctor in Musicology degree from the Hungarian Academy of Sciences in 1982. Somfai is member of the Hungarian Academy of Sciences, corresponding member of the American Academy of Arts and Sciences (1997), corresponding member of the British Academy (1998); corresponding member of the American Musicological Society (1988); founder-president of the Magyar Zenetudományi és Zenekritikai Társaság [Hungarian Musicological Society] (1994-1998), president of the International Musicological Society between 1997-2002, etc. Somfai's researches focus on Haydn and Bartok and their time, with special stress on the complex investigation of primary sources in relation to the compositional process, the genre stratification, and the historically oriented performance. He published over 140 studies and twelve books; assisted facsimile editions, critical editions, and complete recordings.

Website: http://www.zti.hu/bartok/ba_en_10_m.htm?0101

Appointments

Current post

  • Professor Emeritus of Musicology, F Liszt Academy of Music

Publications

“»Written between the desk and the piano«: dating Béla Bartók’s sketches” A Handbook to Twentieth-Century Musical Sketches Cambridge University Press, 2004

The Keyboard Sonatas of Joseph Haydn University of Chicago Press, 1995, 22010

Béla Bartók: Composition, Concepts, and Autograph Sources University of California Press, 1996

“Strategics of Variation in the Second Movement of Bartók’s Violin Concerto 1937–1938” in Studia Musicologica 19 1977

“Nineteenth-Century Ideas Developed in Bartók’s Piano Notation in the Years 1907–14” 19th-century Music 11/1 1987

Other History of Art and Music Fellows

Professor John Mack

The anthropology and history of art and material culture, especially in equatorial Africa and the western Indian Ocean; comparative work on themes such as memory, miniaturisation, and the experience of the environment

Professor Susan Rankin

Western medieval music and its transmission and notation from the origins to the thirteenth century and the development of the Latin liturgy, with an especial focus on ritual

Sir Nicholas Penny

Italian painting of the sixteenth century; European Sculpture 1480-1920; the history of the collecting and display of European art.